Dave Rempis – alto/tenor/baritone saxophone
Ingebrigt Håker Flaten – bass
Frank Rosaly – drums
Tim Daisy – drums
Released June 13th, 2013 | 2-CD SET
bandcamp download/stream included
AR001 | PHALANX :
Rempis Percussion Quartet
Disc One – Live In Milwaukee
Algonquins : 26:09
Cream City Stomp : 26:27
Disc Two – Live In Antwerp
Anti-goons : 48:04
Croatalus Adamantooths : 26:55
Disc 1 recorded by Dave Zuchowski, June 12th, 2012 @ The Sugar Maple during Okkafest 3
Disc 2 Recorded by Michael Huon, April 25th, 2012 @ Costa
Both recordings mixed and mastered by Dave Zuchowski
Design by Johnathan Crawford
Produced by Dave Rempis
The Rempis Percussion Quartet is a free- improvising whirlwind that draws inspiration from a shared interest in West African and Latin American rhythms, coupled with American funk and free jazz. Using these influences, the band creates spontaneous music which nevertheless maintains a focus on ensemble motion and compositional structures. Led by saxophonist Dave Rempis (The Engines, Ballister, Triage, Vandermark Five) the band originally formed for a house party in April 2004, and their
performances maintain an unabashedly raucous energy based on relentless grooves and unrestrained blowing, tempered with occasional moments of quiet balladry. This quartet has toured regularly in both the US and Europe, with North American tours in 2006 and 2007, and European tours in 2008, 2009, 2010, and 2012 including several major European festival performances. The band has also released five previous records, including the limited edition Circular Logic (Utech Records 2005), Rip Tear
Crunch (482 Music 2006), Hunter-Gatherers (482 Music – 2007), The Disappointment of Parsley (Not Two – 2009), and Montreal Parade (482 Music – 2011). Phalanx, a two-cd set of live concert recordings from 2012, finds them in top form, barnstorming cities on two continents with their propulsive improvisations. This is the second recording of the band featuring its newest member, Norwegian phenom Ingebrigt Håker Flaten, and these two hard-charging sets show a band at the peak of its creative force.